The best mystery thrillers keep you glued to the screen to find out what happens next. Howard’s filmmaking in these scenes is some of the most lackluster of his career, completely failing to liven up a movie in desperate need of energy. However, The Da Vinci Code tends to capture these long stretches of dialogue by parking an actor in front of the camera to flatly recite the film’s lore. Despite some prerelease concerns over whether religious groups would find the film sacrilegious, the real concern should have been whether it would put people to sleep in their chairs.ĭull exposition doesn’t have to be a death sentence for your movie if you find an imaginative way of delivering it, like the animated cutaways in Hellboy II: The Golden Army or Harry Potter and the Deathly Hallows: Part I that lend visual pizzazz to expository sequences. The book’s diminished legacy can arguably be attributed to a number of factors (it has faced intense criticism for its historical inaccuracies and its fast-and-loose representation of Christian theology, among other things), but the shortcomings of The Da Vinci Code can be boiled down to a single criticism: it’s a snoozefest, the absolute worst thing a mystery thriller can be. Moreover, the movie faded into obscurity almost immediately, despite the global success of Brown’s novel. Throwing enough big names into the production and hoping it all came together in the end definitely got them their money’s worth (the movie grossed well over half a billion dollars), but critics weren’t particularly kind to it. The producers of The Da Vinci Code seemingly approached the adaptation under the impression that altering even one word of the dizzyingly popular source novel would jeopardize the film’s box office receipts.
But Goldsman’s script slavishly preserves Brown’s source material to the point of crafting a mystery thriller overstuffed with stretches of pseudo-historical exposition that are exciting to read in a beach novel but make for an interminably dull movie. Directed by Oscar-winning filmmaker Ron Howard from a screenplay by blockbuster veteran Akiva Goldsman, the movie seemed like a recipe for a surefire hit. Released 15 years ago this month, the 2006 film adaptation of The Da Vinci Code is brimming with talent, including an all-star cast featuring Tom Hanks, Audrey Tautou, Sir Ian McKellen, Paul Bettany, and Alfred Molina. To give you an idea of its pop culture saturation, the only book that outsold it in 2003 was the fifth Harry Potter novel. Selling over 80 million copies translated into dozens of different languages, the book was almost impossible to avoid. The Da Vinci Code, the bestselling treasure-hunting mystery thriller by Dan Brown, was a legitimate phenomenon.
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